Where Training Becomes Creation
Chelsea Rep LABS is one of the most distinctive and generous offerings at The Acting Studio New York.
These laboratories are provided at no cost to our active Studio community of actors, directors, and playwrights. They exist outside the classroom as a continuing artistic home, a place where disciplined training evolves into living work.
In a city where rehearsal space is expensive and creative community is fragmented, Chelsea Rep LABS provides something rare, sustained artistic practice in an ongoing ensemble environment.
Very few actor training programs in New York offer free, structured, faculty guided laboratories dedicated to the development of new work.
The Three LABS
Acting LAB
First and third Saturday of each month.
Actors bring in scenes, monologues, audition material, and original work. This is a place to test impulses, deepen listening, strengthen ensemble
awareness, and continue the rigorous pursuit of truthful behavior under imaginary circumstances.
The Acting LAB is not a class. It is an artistic gymnasium, a disciplined forum where actors sharpen their craft through practice.
Playwriting LAB
Second Saturday of each month.
Studio playwrights hear their scripts brought to life in staged readings performed by Studio actors and directed by Studio directors. Writers witness how
their words breathe in space, where they land, where they falter, and where they ignite. The Playwriting LAB accelerates development by placing text
immediately into collaboration. Rewriting becomes concrete. Structure becomes visible. Character becomes embodied.
Directing LAB
Fourth Saturday of each month.
Directors present scenes and workshop material with actors under faculty guidance. Emphasis is placed on script analysis, behavioral specificity,
communication with actors, and the discipline required to lead a rehearsal room. Directors collaborate directly with actors and playwrights in a laboratory
setting that strengthens both interpretive vision and practical leadership.
From Laboratory to Public Performance
Each year, Chelsea Rep LABS culminate in annual festivals produced through Chelsea Repertory Company. These festivals include staged readings of original plays and screenplays, as well as fully produced workshop productions written, acted, and directed by members of our Studio community. This structure creates a vital bridge between private development and public presentation. Artists see their work realized before an audience, not in theory, but in practice.
A Living Archive of New Work
Over the years, Chelsea Rep LABS has generated a substantial and diverse body of original work. Our archives, continually expanding, reflect decades of creative output born from this laboratory environment. From intimate staged readings to fully mounted festival productions, the LABS remain a wellspring of experimentation, mentorship, and collaboration.
An Uncommon Resource in New York
In New York, actors often train in isolation once class ends.
Playwrights write alone.
Directors struggle to secure rehearsal space and sustained collaboration.
Chelsea Rep LABS provides an ongoing artistic ecosystem.
A Place To
• Fail safely
• Refine rigorously
• Collaborate deeply
• Return month after month in pursuit of stronger work
There are institutions in New York that train actors. There are institutions that produce work. Very few integrate training, laboratory development, and public production in continuous dialogue.
Chelsea Rep LABS is that place — A Home for Serious Artists
Archival Note: If you have archival materials related to past LAB productions, we welcome your contribution to our growing record of Studio history.


2019: SPRINGFEST 2019: DIRECTORS CHOICE-UNXXXPURGATED
2019: e-Merging Artists One-act Play Festival 2019
2018: e-Merging Artists One-act Play Festival 2018
2017: e-Merging Artists One-act Play Festival 2017
2016: DIRECTOR’S CHOICE: SPRINGFEST 2016
2015: e-Merging Artists One-act Play Festival 2015
2014: e-Merging Artists One-act Play Festival 2014
2014: NEW PLAYS - NEW DIRECTORS SPRINGFEST 2014.
2014: CAFFE CINO RETROSPECTIVE: One-Act Plays
2013: e-Merging Artists: One-Act Play Festival 2013
2012: 2012 NY Fringe - ALMOST A FANTASY - by Michael Aguirre
2011: e-Merging Artists One-Act Play Festival of New Works
2009: Alive With Ives-The LAB Is BACK
1999: The Last Orange Dying, Trip Synch, The Love Talker; Last Chance Texaco; The Fairy Garden, Lynette at
1998: Slightly Off-off: Seven Plays of the Sixties
1997: THE ZOO STORY
1996: CAMINO REAL
1995: BLACK HOLE - by Greg Fensterman
1995: BEYOND THERAPY
1995: The Nature and Purpose of the Universe
1989: The Television Anesthesia
1989: SOMETHING UNSPOKEN
1989: Graceland
1989: Private Wars